Masquerade Theatre

I'm not sure whether I associate Harold Pinter's works mostly with the depressing predictability of human nature, or whether they remind me more of the touching naïveté of persistent hope. It's probably a bit of both, which is precisely what Masquerade's Betrayal, directed to maximum delicious tension by Ian Moore, delivers. The theme of the play makes for a perfect return … [Read more...] about Masquerade’s Betrayal: Gripping